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Geboren 1960 in Aarau, lebt in Biel und arbeitet in Nidau.
1984-1988 Schule für Gestaltung, Zürich
2001-2006 Mitglied der Kunstkommission der Stadt Biel
2004-2011 Vorstandsmitglied Visarte Biel
2006-2010 Kokuratorin espace libre, Biel
Seit 2013 Atelier in Berlin
Preise und Stipendien
2013 Preisträgerin Fontana-Gränicher Kunstpreis
2011 Werkbeitrag Esther Matossi-Stiftung, Zürich
2009 Werkbeitrag Stadt Biel und Kanton Bern
2008 Reisestipendium Kanton Bern
Publikationen
2015 punkt. Kunst im Nordwesten (Bremen)
Juli Kulturmagazin Aargau Nr. 55
Pestalozzikalender 15/16
2014 Ostrale Dresden `O14, Katalog 1
2013 Vögele Kulturbulletin 94/2013 Verantwortung
Bernsehen 2, 2013, edition dachsart, Bern
2012 "Pat Noser et Tchernobyl", Masterarbeit von Sophie Vantieghem, Uni Neuchatel
2011 Reise in die verbotene Zone, edition clandestin, Biel
2008 JetztKunst
2003 Surréaliés, Centre PasquArt
2002 Seebutz
Glass, light & shadow
Between 1930 and 1970 the inhabitants of Venice and Murano used their waste to create an artificial island. Ursula Stalder has visited this place and innumerable strolls led her to traces of the glass artists of Murano. In the store window of the Vitrine she displays now an installation made of these found objects. In addition she places glass object trouvés on two walls.
The painter Pat Noser also explores the interplay of light and shadow. In her oil paintings she catches the sunbeam that falls upon a bunch of roses; or she portrays a mute swan. It is quite an experience to watch the animal gliding on the glittering waster, see how it puffs up his feathers and suspiciously looks at its own mirrored image.